"FReeDOm" in VanCOuveR
May 11 - 15, 2026
Available spots
DESCRIPTION
I will offer a one-week intensive training in Vancouver, British Columbia. May 11 - 15, 2026 For more information and to register, please email secondrodeoentertainment@gmail.com. The Michael Chekhov Technique is a psychophysical approach to acting that unites the body’s innate intelligence with the imagination’s vast capacity. This work is often described as a training ground for the soul. Actors are drawn to this technique because it is accessible, playful, physical, and imaginative. They stay because they begin to glimpse the sheer scale of their own creative capacity. As Michael Chekhov said, “We must expand our sense of ourselves.” What the Work Is Much of our work is about becoming conscious of what is already happening naturally and learning how to work with it deliberately. We explore: Gesture | Tempo and rhythm | Space and direction | Expansion and contraction | Color | Image | Transformation We work with objective, but we put it in the body in the form of a gesture. We work with polarities but we give it experience, like staccato and legato tempos. We work with character but instead of writing a backstory history on the character, we ask what archetype they might be, we walk through what their hands have done, we discover their imaginary center. We have a physical experience of the character, not an intellectual one. Why Actors Return to This Work This work teaches actors how to rehearse, how to prepare, how to diagnose a scene, how to build characters, and how to walk into any room with multiple clear, playable choices. Just as importantly, it cultivates empathy, vulnerability, imagination, and emotional sensitivity—without harm or psychological excavation. It reconnects actors with something often lost in the industry: Joy. Play. Trust. Creative freedom. This is a positive, actor-centered technique. There is no guru. No cryptic list of what not to do. The roadmap is clear: how to move, how to listen, how to work. Created by an actor, for actors, it asks only one thing—a willingness to access and break your own heart. In doing so, you free yourself, and the artist within.